Anton Bruckner - Wikipedia. Josef Anton Bruckner (German: [ˈantɔn ˈbʀʊknɐ] ( listen); (1.

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September 1. 82. 4 – (1. October 1. 89. 6) was an Austrian composer best known for his symphonies, masses, and motets. The first are considered emblematic of the final stage of Austro- German Romanticism because of their rich harmonic language, strongly polyphonic character, and considerable length.[1] Bruckner's compositions helped to define contemporary musical radicalism, owing to their dissonances, unprepared modulations, and roving harmonies. Unlike other musical radicals such as Richard Wagner and Hugo Wolf who fit the enfant terrible mould, Bruckner showed extreme humility before other musicians, Wagner in particular. This apparent dichotomy between Bruckner the man and Bruckner the composer hampers efforts to describe his life in a way that gives a straightforward context for his music.

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Hans von Bülow described him as "half genius, half simpleton".[2]His works, the symphonies in particular, had detractors, most notably the influential Austrian critic Eduard Hanslick, and other supporters of Johannes Brahms who pointed to their large size and use of repetition,[3] as well as to Bruckner's propensity for revising many of his works, often with the assistance of colleagues, and his apparent indecision about which versions he preferred. On the other hand, Bruckner was greatly admired by subsequent composers including his friend Gustav Mahler. Biography[edit]Early life[edit]Anton Bruckner was born in Ansfelden (then a village, now a suburb of Linz) on 4 September 1. The ancestors of Bruckner's family were farmers and craftsmen; their history can be traced to as far back as the 1. They lived near a bridge south of Sindelburg, which led to their being called "Pruckhner an der Pruckhen" (bridgers on the bridge). Bruckner's grandfather was appointed schoolmaster in Ansfelden in 1. Bruckner's father, Anton Bruckner senior, in 1.

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It was a poorly paid but well- respected position in the rural environment.[5][6] Music was a part of the school curriculum, and Bruckner's father was his first music teacher.[5] Bruckner learned to play the organ early as a child. He entered school when he was six, proved to be a hard- working student, and was promoted to upper class early. Watch House At The End Of The Street Mediafire.

While studying, Bruckner also helped his father in teaching the other children. After Bruckner received his confirmation in 1. Bruckner's father sent him to another school in Hörsching. The schoolmaster, Johann Baptist Weiß, was a music enthusiast and respected organist. Here, Bruckner completed his school education and learned to play the organ excellently. Around 1. 83. 5 Bruckner wrote his first composition, a Pange lingua – one of the compositions which he revised at the end of his life.[7] When his father became ill, Anton returned to Ansfelden to help him in his work.

Teacher's education[edit]Bruckner's father died in 1. Bruckner was 1. 3 years old.

The teacher's position and house were given to a successor, and Bruckner was sent to the Augustinianmonastery in Sankt Florian to become a choirboy.[5][8] In addition to choir practice, his education included violin and organ lessons. Bruckner was in awe of the monastery's great organ, which was built during the late baroque era and rebuilt in 1. Later, the organ was to be called the "Bruckner Organ". Despite his musical abilities, Bruckner's mother sent her son to a teaching seminar in Linz in 1. After completing the seminar with an excellent grade, Bruckner was sent as a teacher's assistant to a school in Windhaag.

The living standards and pay were horrible, and Bruckner was constantly humiliated by his superior, teacher Franz Fuchs. Despite the difficult situation, Bruckner never complained or rebelled; a belief of inferiority was to remain one of Bruckner's main personal characteristics during his whole life. He would stay at Windhaag from age 1. Prelate Michael Arneth noticed Bruckner's bad situation in Windhaag and awarded him a teacher's assistant position in the vicinity of the monastic town of Sankt Florian, sending him to Kronstorf an der Enns for two years.

Here he would be able to have more of a part in musical activity. The time in Kronstorf was a much happier one for Bruckner. Between 1. 84. 3 and 1. Bruckner was the pupil of Leopold von Zenetti in Enns.[9] Compared to the few works he wrote in Windhaag, the Kronstorf compositions from 1. Bruckner style".[1. Among the Kronstorf works is the vocal piece Asperges me (WAB 4), which the young teacher's assistant, out of line of his position, signed with "Anton Bruckner m.

Comp[onist]". This has been interpreted as a lone early sign of Bruckner's artistic ambitions. Otherwise, little is known of Bruckner's life plans and intentions.[1. Organist in Sankt Florian[edit]. The "Bruckner Organ" in Sankt Florian. After the Kronstorf period, Bruckner returned to Sankt Florian in 1. In May 1. 84. 5, Bruckner passed an examination, which allowed him to begin work as an assistant teacher in one of the village schools of Sankt Florian. He continued to improve his education by taking further courses, passing an examination giving him the permission to also teach in higher education institutes, receiving the grade "very good" in all disciplines.[1.

In 1. 84. 8 Bruckner was appointed an organist in Sankt Florian and in 1. In Sankt Florian, most of the repertoire consisted of the music of Michael Haydn, Johann Georg Albrechtsberger and Franz Joseph Aumann.[1.

During his stay in Sankt Florian Bruckner continued to work with Zenetti.[1. Study period[edit]In 1. Bruckner, aspiring to become a student of the famous Vienna music theorist Simon Sechter, showed the master his Missa solemnis (WAB 2. The education, which included skills in music theory and counterpoint among others, took place mostly via correspondence, but also included long in- person sessions in Vienna. Sechter's teaching would have a profound influence on Bruckner.

Later, when Bruckner began teaching music himself, he would base his curriculum on Sechter's book Die Grundsätze der musikalischen Komposition (Leipzig 1. In 1. 86. 1, Bruckner studied further with Otto Kitzler, who was nine years younger than he and who introduced him to the music of Richard Wagner, which Bruckner studied extensively from 1.

Bruckner considered the earliest orchestral works (the "study" Symphony in F minor, the three orchestral pieces, the March in D minor and the Overture in G minor, which he composed in 1. Otto Kitzler. He continued his studies to the age of 4.

Broad fame and acceptance did not come until he was over 6. Seventh Symphony in 1. In 1. 86. 1 he had already made the acquaintance of Franz Liszt who, like Bruckner, had a strong, Catholic religious faith and who first and foremost was a harmonic innovator, initiating the new German school together with Wagner. In May 1. 86. 1 he made his concert debut, as both composer and conductor of his Ave Maria, set in seven parts.[1. Soon after Bruckner had ended his studies under Sechter and Kitzler, he wrote his first mature work, the Mass in D Minor. From 1. 86. 1 to 1. Vienna and Sankt Florian.

He wished to ensure he knew how to make his music modern, but he also wanted to spend time in a more religious setting. The Vienna period[edit]In 1. Sechter had died, Bruckner hesitantly accepted Sechter's post as a teacher of music theory at the Vienna Conservatory, during which time he concentrated most of his energy on writing symphonies. These symphonies, however, were poorly received, at times considered "wild" and "nonsensical". His students at the Conservatory included Richard Robert.[1.

He later accepted a post at the Vienna University in 1. Overall, he was unhappy in Vienna, which was musically dominated by the critic Eduard Hanslick. At the time, there was a feud between advocates of the music of Wagner and Brahms; by aligning himself with Wagner, Bruckner made an unintentional enemy out of Hanslick.

He was not without supporters, though.

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